{"id":2251,"date":"2025-12-25T14:51:31","date_gmt":"2025-12-25T09:21:31","guid":{"rendered":"https:\/\/www.manabadi.co.in\/boards\/?p=2251"},"modified":"2025-12-25T14:51:33","modified_gmt":"2025-12-25T09:21:33","slug":"tg-inter-1st-year-english-study-material-cp-15","status":"publish","type":"post","link":"https:\/\/www.manabadi.co.in\/boards\/tg-inter-1st-year-english-study-material-cp-15\/","title":{"rendered":"TS Inter 1st Year English Study Material Chapter 15 The Dinner Party"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\"><strong>Paragraph Answer Questions (Section \u2013 A, Q.No. 5, Marks : 4)<\/strong><\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">Question 1.<\/h3>\n\n\n\n<p><br>Describe the role of the American naturalist in the short story, \u201cThe Dinner Party\u201d.?<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><br>Answer:<\/h3>\n\n\n\n<p><br>Mona Gardner\u2019s short story \u201cThe Dinner Party\u201d offers us an interesting reading. It highlights women\u2019s nerve control. The American naturalist is a special guest at the dinner party. All others are government officials or military personnel. Others are involved in a discussion. He alone stays silent and observes others keenly. He notices strange changes in the features on the face of the hostess. He watches a servant placing a bowl of milk in the veranda. He understands there is a snake. He thinks fast. He plans a strategy. It works out. He manages to make all the guests stay cool and calm till the snake creeps out. When the host appreciates his nerve control, he proves that it is the hostess who has real nerve control.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Question 2.<\/h3>\n\n\n\n<p><br>Describe the scene of the dinner party..?<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><br>Answer:<\/h3>\n\n\n\n<p><br>\u201cThe Dinner Party\u201d, by Mona Gardner, is a gripping narration of an interesting incident. A colonial officer and his wife host a large dinner party. It is in their spacious dining hall. The hall has a bare marble floor. The rafters are open and glass doors are wide. Government, army and embassy officials with their wives are the guests.<\/p>\n\n\n\n<p>A visiting American naturalist is the special invitee there. Twenty guests take part in that party. There is a spirited discussion about the nerve contral a woman has. A snake is there. The American naturalist takes control of the situation. He succeeds in making everyone stay calm till the snake crawls out.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Question 3.<\/h3>\n\n\n\n<p><br>\u201cA spirited discussion springs up between a young girl and a colonel\u201d. Discuss?<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><br>Answer:<\/h3>\n\n\n\n<p><br>\u201cThe Dinner Party\u201d, by Mona Gardner, showcases the emotional strength of women. Deeds, not empty words, prove this point beyond anyone\u2019s doubt. A colonial officer hosts the dinner party. The guests are just twenty. During the party, an animated discussion arises between a young girl and a colonel.<\/p>\n\n\n\n<p>The girl says women have advanced a lot from their earlier era of screaming at the sight of a mouse. The colonel contradicts her stand. He asserts men have an extra ounce of nerve control in a crisis. And he adds that ounce counts a lot. But the girl is right. The story proves at the end how strong a woman is in crises!<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>The Dinner Party Summary in English<\/strong><strong><\/strong><\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"518\" height=\"176\" src=\"https:\/\/www.manabadi.co.in\/boards\/wp-content\/uploads\/2025\/12\/TS-Inter-1st-Year-English-Study-Material-Chapter-15-The-Dinner-Party-1-1.png\" alt=\"\" class=\"wp-image-2253\"\/><\/figure>\n\n\n\n<p><br>Mona Gardner is an American author. She had her story The Dinner Party published in The Saturday Review of Literature in 1941. Her story is a gripping narration with a stuning end. The story takes places in India during the British colonial time. In the story a colonel and a girl argue about how women act in a crisis.<\/p>\n\n\n\n<p>In India, a colonial officer and his wife host a dinner party and invite army officers and government officials along with their wives and an American naturalist. A spirited discussion sparks up between a young girl and the colonel in which the girl believes that women have out grown the fright-from-seeing-a mouse era.<\/p>\n\n\n\n<p>But the colonel denies that and says that men have more control than women in every situation. However, the hostess of the party proves him wrong there is a cobra in the room and the hostess stops it. The hostess decides to solve the problem and advises a plan to get rid of it. She gestures for a bowl of milk to the put outside the door.<\/p>\n\n\n\n<p>An American naturalist at the party is watching the argument and observes the hostess. He understands that there is a cobra in the room, so to calm down everyone he plays a game of control where they cannot move or they would lose money. He told them that he would count three hundred that was five minutes and not one of them is to move a muscle.<\/p>\n\n\n\n<p>Those who move will forfeit fifty rupees. When restarts counting down the last twenty seconds to finish the game. The cobra emerges from under the table and goes towards the bowl of milk outside. He locks it out of the room. The colonel appreciates the American who has just shown them an example of perfect control.<\/p>\n\n\n\n<p>The American asks the hostess, Mrs. Wynnes, how she knew that the cobra was in the room and she replies; \u201cBecause it was crawling across her foot.\u201d The colonel is proved wrong by Mrs. Wynnes\u2019s action. The American naturalist was used to show gender does not support your self control.<\/p>\n\n\n\n<p>The writer uses Mrs. Wynnes to prover her them that gender doesn\u2019t support your self control. Throughout the story, Mrs. Wynnes displays perfect self control, proving that women can act bravely in a crisis. Ever though a snake crawled over her foot, she still kept calm. Thus, it justifies that gender does not support.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Meanings and Explanations<\/strong><\/h2>\n\n\n\n<p>colonial (n\/adj) \/k\u0259l\u0259\u028ani\u01ddl\/ (\u0c15\u0c32\u0c09\u0c28\u0c3f\u0c05\u0c32\u0c4d) (polysyllabic-4 syllables) = pertaining to a colony : \u0c2a\u0c3e\u0c32\u0c3f\u0c24 \u0c26\u0c47\u0c36\u0c3e\u0c28\u0c3f\u0c15\u0c3f \u0c38\u0c02\u0c2c\u0c02\u0c27\u0c3f\u0c02\u0c1a\u0c3f\u0c28, \u0914\u092a\u0928\u093f\u0935\u0947\u0936\u0915<\/p>\n\n\n\n<p>attaches (n-pl) \/\u01ddt\u00e6tseiz\/ (\u0c05\u0c24\u0c4d\u0c2f\u0c1a\u0c46\u0c07\u0c1c\u0c4d) (trisyllabic) = persons who work in embassies : \u0c30\u0c3e\u0c2f\u0c2c\u0c3e\u0c30 \u0c15\u0c3e\u0c30\u0c4d\u0c2f\u0c3e\u0c32\u0c2f\u0c02\u0c32\u0c4b \u0c2a\u0c28\u0c3f\u0c1a\u0c47\u0c2f\u0c41 \u0c05\u0c27\u0c3f\u0c15\u0c3e\u0c30\u0c41\u0c32\u0c41, \u0905\u0927\u093f\u0915\u093e\u0930\u0940, \u0905\u092b\u0938\u0930<\/p>\n\n\n\n<p>naturalist (n) \/n\u00e6tsur\u0259list\/(\u0c28\u0c4d\u0c2f\u0c3e\u0c1a\u0c41\u0c30\u0c32\u0c3f\u0c38\u0c4d\u0c1f\u0c4d) (polysyllabic-4) = biologist : \u0c1c\u0c40\u0c35\u0c36\u0c3e\u0c38\u0c4d\u0c24\u0c4d\u0c30\u0c35\u0c47\u0c24\u0c4d\u0c24, \u091c\u0940\u0935 \u0935\u093f\u091c\u094d\u091e\u093e\u0928\u0940<\/p>\n\n\n\n\n\n<p>spacious (adj) \/sperf\u01dds\/ (\u0c38\u0c4d\u0c2a\u0c46\u0c07\u0c37\u0c38\u0c4d) (disyllabic) = vast; huge, big : \u0c35\u0c3f\u0c36\u0c3e\u0c32, \u0935\u093f\u0938\u094d\u0924\u0943\u0924<\/p>\n\n\n\n<p>bare (adj) \/be\u01dd(r)\/ (\u0c2c\u0c46\u0c05(\u0c30\u0c4d)) (monosyllabic) = uncovered; minimal : \u0c06\u0c1a\u0c4d\u0c1b\u0c3e\u0c26\u0c28 \u0c32\u0c47\u0c28\u0c3f; \u0c15\u0c28\u0c40\u0c38 \u0c05\u0c35\u0c38\u0c30\u0c3e\u0c32 \u0c38\u0c4d\u0c25\u0c3e\u0c2f\u0c3f\u0c32\u0c4b \u0c09\u0c28\u0c4d\u0c28, \u0905\u092d\u093e\u0935 \u092e\u0947\u0902<\/p>\n\n\n\n<p>rafters (n-pl) \/ra:ft\u01dd(r)z\/ (\u0c30\u0c3e\u0c2b\u0c4d \u0c1f(\u0c30\u0c4d)\u0c1c\u0c4d) (disyllabic) = wooden, sloped beams that support the roof : \u0c35\u0c3e\u0c38\u0c3e\u0c32\u0c41; \u0c15\u0c2a\u0c4d\u0c2a\u0c41\u0c28\u0c41 \u0c28\u0c3f\u0c32\u0c3f\u0c2a\u0c3f \u0c09\u0c02\u0c1a\u0c47 \u0c26\u0c42\u0c32\u0c3e\u0c32\u0c41<\/p>\n\n\n\n<p>spirited (adj) \/spiritid\/ (\u0c38\u0c4d\u0c2a\u0c4d\u0c30\u0c3f\u0c30\u0c3f\u0c1f\u0c3f\u0c21\u0c4d) (trisyllabic) = enthusiastic : \u0c09\u0c24\u0c4d\u0c38\u0c3e\u0c39\u0c2d\u0c30\u0c3f\u0c24 , \u0909\u0924\u094d\u0938\u093e\u0939\u0940<\/p>\n\n\n\n<p>spring up (phrase) = start with a bang : \u0c06\u0c21\u0c02\u0c2c\u0c30\u0c02\u0c17\u0c3e \u0c2a\u0c4d\u0c30\u0c3e\u0c30\u0c02\u0c2d\u0c2e\u0c35\u0c41<\/p>\n\n\n\n<p>outgrow (v) \/outgr\u01dd\u028a\/ (\u0c14\u0c1f\u0c4d \u0c17\u0c4d\u0c30\u0c09) (disyllabic) = grow beyond: \u0c26\u0c3e\u0c1f\u0c3f \u0c2a\u0c46\u0c30\u0c41\u0c17\u0c41<\/p>\n\n\n\n<p>jumping-on-a-chair-at-the-sight-of-a-mouse = 10 \u0c2a\u0c26\u0c3e\u0c32\u0c15\u0c41 \u0c39\u0c48\u0c37\u0c28\u0c4d \u0c32\u0c24\u0c4b \u0c2c\u0c02\u0c27\u0c3f\u0c02\u0c1a\u0c3f \u0c12\u0c15\u0c4d\u0c15 adjective \u0c17\u0c3e \u0c38\u0c43\u0c37\u0c4d\u0c1f\u0c3f\u0c02\u0c1a\u0c3f \u0c09\u0c2a\u0c2f\u0c4b\u0c17\u0c3f\u0c02\u0c1a\u0c3f\u0c28 \u0c30\u0c1a\u0c2f\u0c3f\u0c24\u0c4d\u0c30\u0c3f \u0c38\u0c43\u0c1c\u0c28\u0c3e\u0c24\u0c4d\u0c2e\u0c15\u0c24; \u0c0e\u0c32\u0c41\u0c15\u0c28\u0c41 \u0c1a\u0c42\u0c21\u0c17\u0c3e\u0c28\u0c47 \u0c15\u0c41\u0c30\u0c4d\u0c1a\u0c40 \u0c2e\u0c40\u0c26\u0c3f\u0c15\u0c3f \u0c17\u0c46\u0c02\u0c24\u0c47<\/p>\n\n\n\n<p>era (n) \/\u01ddr\u01dd\/ (\u0c07\u0c05\u0c30) (disyllabic) = a particular period of time: \u0c15\u0c3e\u0c32\u0c2e\u0c41 ; \u0c2f\u0c41\u0c17\u0c2e\u0c41<\/p>\n\n\n\n<p>colonel (n) \/k\u0437:n\u01ddl\/ (\u0c15\u0c28\u0c32\u0c4d) (disyllabic) = an army officer : \u0c12\u0c15 \u0c38\u0c48\u0c28\u0c3f\u0c15\u0c3e\u0c27\u0c3f\u0c15\u0c3e\u0c30\u0c3f<\/p>\n\n\n\n<p>scream (v) \/skri:m\/ (\u0c38\u0c4d\u0c15\u0c4d\u0c30\u0c40\u0c2e\u0c4d) (monosyllabic) = cry out in a shrill voice : \u0c15\u0c40\u0c1a\u0c41\u0c17\u0c4a\u0c02\u0c24\u0c41\u0c15\u0c24\u0c4b \u0c05\u0c30\u0c1a\u0c41; \u0c06\u0c15\u0c38\u0c4d\u0c2e\u0c3f\u0c15\u0c02\u0c17\u0c3e \u0c17\u0c3e\u0c35\u0c41\u0c15\u0c47\u0c15\u0c2a\u0c46\u0c1f\u0c4d\u0c1f\u0c41<\/p>\n\n\n\n<p>bait (n) \/beit\/ (\u0c2c\u0c46\u0c07\u0c1f\u0c4d) (monosyllabic) = anything that allures : \u0c06\u0c15\u0c30\u0c4d\u0c37\u0c3f\u0c02\u0c1a\u0c41\u0c28\u0c26\u0c3f; \u0c0e\u0c30, \u092a\u094d\u0930\u0932\u094b\u092d\u0928<\/p>\n\n\n\n<p>course (n) \/ko: (r)s\/ (\u0c15\u0c4b(\u0c30\u0c4d)\u0c38\u0c4d) (monosyllabic) = a stage of a meal : \u0c2d\u0c4b\u0c1c\u0c28 \u0c35\u0c21\u0c4d\u0c21\u0c28\u0c32\u0c4b \u0c12\u0c15 \u0c26\u0c36; \u0c12\u0c15 \u0c2d\u0c3e\u0c17\u0c2e\u0c41, \u092a\u093e\u0920\u092f\u092e<\/p>\n\n\n\n<p>impulse (n) \/impals\/ (\u0c07\u0c2e\u0c4d \u0c2a\u0c32\u0c4d \u0c38\u0c4d) (disyllabic) = sudden feeling, desire: \u0c06\u0c15\u0c38\u0c4d\u0c2e\u0c3f\u0c15 \u0c05\u0c28\u0c41\u0c2d\u0c42\u0c24\u0c3f; \u0c15\u0c4b\u0c30\u0c3f\u0c15, \u0905\u0924\u0903 \u092a\u094d\u0930\u0947\u0930\u0923\u093e<\/p>\n\n\n\n<p>commotion (n) \/k\u01ddmeus\u0259n\/ (\u0c15\u0c2e\u0c09\u0c37\u0c28\u0c4d) (trisyllabic) = disturbance; noise: \u0c05\u0c32\u0c1c\u0c21\u0c3f ; \u0c06\u0c02\u0c26\u0c4b\u0c33\u0c28 ; \u0c36\u0c2c\u0c4d\u0c26\u0c2e\u0c41, \u0936\u094b\u0930<\/p>\n\n\n\n<p>arresting (v + ing : adj) \/\u01ddrestin\/ (\u0c05\u0c30\u0c46\u0c38\u0c4d \u0c1f\u0c3f\u0c02\u0c17\u0c4d) (trisyllabic) = captivating: \u0c06\u0c15\u0c1f\u0c4d\u0c1f\u0c41\u0c15\u0c41\u0c28\u0c47\u0c32\u0c3e \u0c09\u0c28\u0c4d\u0c28<\/p>\n\n\n\n<p>sober (v) \/s\u01ddub\u0259(r)\/ (\u0c38\u0c09\u0c2c(\u0c30\u0c4d) ) (disyllabic) = moderate one\u2019s feelings : \u0c2d\u0c3e\u0c35\u0c4b\u0c26\u0c4d\u0c35\u0c47\u0c17\u0c2e\u0c41\u0c32\u0c28\u0c41 \u0c36\u0c3e\u0c02\u0c24\u0c2a\u0c30\u0c1a\u0c41; \u0c24\u0c17\u0c4d\u0c17\u0c3f\u0c02\u0c1a\u0c41, \u0905\u092e\u0924<\/p>\n\n\n\n<p>forfeit (v) \/fo:(r)frt\/ (\u0c2b\u0c4b(\u0c30\u0c4d)\u0c2a\u0c3f\u0c1f\u0c4d) (disyllabic) = lose as fine : \u0c1c\u0c30\u0c3f\u0c2e\u0c3e\u0c28\u0c3e\u0c17\u0c3e \u0c15\u0c4b\u0c32\u0c4d\u0c2a\u0c4b\u0c35\u0c41<\/p>\n\n\n\n<p>emerge (v) \/im3:(r)dy\/ (\u0c07\u0c2e(\u0c30\u0c4d)\u0c1c\u0c4d) (disyllabic) = come out : \u0c2c\u0c2f\u0c1f\u0c15\u0c41 \u0c35\u0c1a\u0c4d\u0c1a\u0c41<\/p>\n\n\n\n<p>make for (phrase) = move towards : \u0c35\u0c48\u0c2a\u0c41\u0c17\u0c3e \u0c35\u0c46\u0c33\u0c4d\u0c33\u0c41<\/p>\n\n\n\n<p>ring out (phrase) = echo : \u0c2a\u0c4d\u0c30\u0c24\u0c3f\u0c27\u0c4d\u0c35\u0c28\u0c3f\u0c02\u0c1a\u0c41, \u0918\u0902\u091f\u0940 \u092c\u091c\u093e\u0928\u093e<\/p>\n\n\n\n<p>slam (v) \/sl\u00e6m\/ (\u0c38\u0c4d\u0c32\u0c3e\u0c2e\u0c4d) (monosyllabic) = shut suddenly with force and noise : \u0c06\u0c15\u0c38\u0c4d\u0c2e\u0c3f\u0c15\u0c02\u0c17\u0c3e, \u0c2a\u0c46\u0c26\u0c4d\u0c26 \u0c36\u0c2c\u0c4d\u0c26\u0c02 \u0c35\u0c1a\u0c4d\u0c1a\u0c47\u0c32\u0c3e \u0c27\u0c21\u0c47\u0c32\u0c4d\u0c2e\u0c28\u0c3f \u0c2e\u0c42\u0c2f\u0c41, \u0927\u093e\u092e<\/p>\n\n\n\n<p>faint (adj) \/fernt\/ (\u0c2b\u0c46\u0c07\u0c28\u0c4d) (monosyllabic) = weak : \u0c2c\u0c32\u0c39\u0c40\u0c28; \u0c28\u0c40\u0c30\u0c38, \u092e\u0942\u0930\u094d\u091b\u0924 \u0939\u094b\u0928\u093e<\/p>\n\n\n\n<p>crawl (adj) \/kral\/ (\u0c15\u0c4d\u0c30\u0c4a\u0c32\u0c4d) (monosyllabic) = creep : \u0c2a\u0c4d\u0c30\u0c3e\u0c15\u0c41, \u0930\u0947\u0902\u0917\u0928\u093e<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paragraph Answer Questions (Section \u2013 A, Q.No. 5, Marks : 4) Question 1. Describe the role of the American naturalist in the short story, \u201cThe Dinner Party\u201d.? Answer: Mona Gardner\u2019s short story \u201cThe Dinner Party\u201d offers us an interesting reading. It highlights women\u2019s nerve control. The American naturalist is a special guest at the dinner [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":2259,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[312,15],"tags":[],"class_list":{"0":"post-2251","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-inter-telangana","8":"category-telangana"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\r\n<title>TS Inter 1st Year English Study Material Chapter 15 The Dinner Party<\/title>\r\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\r\n<link rel=\"canonical\" href=\"https:\/\/www.manabadi.co.in\/boards\/tg-inter-1st-year-english-study-material-cp-15\/\" \/>\r\n<meta property=\"og:locale\" content=\"en_US\" \/>\r\n<meta property=\"og:type\" content=\"article\" \/>\r\n<meta property=\"og:title\" content=\"TS Inter 1st Year English Study Material Chapter 15 The Dinner Party\" \/>\r\n<meta property=\"og:description\" content=\"Paragraph Answer Questions (Section \u2013 A, Q.No. 5, Marks : 4) Question 1. Describe the role of the American naturalist in the short story, \u201cThe Dinner Party\u201d.? Answer: Mona Gardner\u2019s short story \u201cThe Dinner Party\u201d offers us an interesting reading. It highlights women\u2019s nerve control. 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