{"id":2236,"date":"2025-12-24T15:31:05","date_gmt":"2025-12-24T10:01:05","guid":{"rendered":"https:\/\/www.manabadi.co.in\/boards\/?p=2236"},"modified":"2025-12-24T15:31:08","modified_gmt":"2025-12-24T10:01:08","slug":"tg-inter-1st-year-english-study-material-cp-12","status":"publish","type":"post","link":"https:\/\/www.manabadi.co.in\/boards\/tg-inter-1st-year-english-study-material-cp-12\/","title":{"rendered":"TS Inter 1st Year English Study Material Chapter 12 The Five Booms of Life"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\"><strong>Paragraph Answer Questions (Section \u2013 A, Q.No. 5, Marks: 4)<\/strong><\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">Question 1.<\/h3>\n\n\n\n<p><br>The young man feels that the five boons are not gifts, but merely lendings. Justify his opinion with reference to his experiences?<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><br>Answer:<\/h3>\n\n\n\n<p><br>Mark Twain is the pen name of Samuel Langhorne Clemens. The world celebrates him as an eminent humourist and a great writer. The present story, \u201cThe Five Boons of Life\u201d present his pessimistic view of life. In the story, a fairy offers a young man a boon.<\/p>\n\n\n\n<p>The fairy asks him to choose from \u201cFame, Love, Riches, Pleasures and Death\u201d. She warns him that only one of those five boons is really precious. The youth chooses \u2018pleasures\u2019 first. He very soon realises that each pleasure is followed by pain. Next he chooses \u2018Love\u2019 that ends him in grief. \u2018Fame\u2019 leads him into \u2018envy and pity\u2019. \u2018Wealth\u2019 throws him into poverty. So, he rightly feels that they are not boons but mere lendings.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Question 2.<\/h3>\n\n\n\n<p><br>Every time the youth chooses a gift, the fairy expresses her dissatisfaction with her gestures. Comment?<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><br>Answer:<\/h3>\n\n\n\n<p><br>Mark Twain\u2019s story, \u201cThe Five Boons of Life\u201d offers us a valuable lesson. It highlights the need to choose right. The fairy in the story advises the youth to select a boon. She tells him that of the five boons \u201cFame, Love, Riches, Pleasures and Death\u201d only one is precious.<\/p>\n\n\n\n<p>But, each time the youth makes a wrong choice. The fairy expresses her displeasure. Once, her eyes are filled with tears. Yet again, she sighs deeply. At another time, she asks him to use his wisdom. But the youth repeats the same mistake. The fairy here represents an opportunity. Opportunities knock our doors often. It is our responsibility to use that chance aptly. Here, the youth\u2019s failure presents a lesson to us.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Question 3.<\/h3>\n\n\n\n<p><br>\u201cThe years have taught you wisdom . surely it must be so\u201d, remarked the fairy. Is she right ? Explain?<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><br>Answer:<\/h3>\n\n\n\n<p><br>The short story \u201cThe Five Boons of Life\u201d is a bundle of boons in learning. Mark Twain shows us how difficult it is to select from among options. The story also exposes the deceptive nature of appearances. The fairy presents to the youth her five boons. They are : \u201cFame, Love, Riches, Pleasures and Death\u201d.<\/p>\n\n\n\n<p>She asks him to be careful in his selection. She adds that only one of them is valuable. The youth falters and chooses \u2018Pleasures\u2019. He regrets his choice. Then he opts for \u2018Love\u2019. He feels sad about his wrong decision. Then, the fairy says that years must have taught him wisdom. Yes, experience is the best teacher. But the youth stays a bad learner. So, he hasn\u2019t picked up any wisdom.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Question 4.<\/h3>\n\n\n\n<p><br>What are the thoughts in the mind of the youth when he chooses wealth? What is the result ?<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><br>Answer:<\/h3>\n\n\n\n<p><br>\u201cThe Five Boons of Life\u201d, by Mark Twain, presents a philosophical approach to life. It shows us how foolish we are in our priorities at times. The youth stands for man\u2019s follies. He gets a chance, from a fairy to choose from \u2018Fame, Love, Riches, Pleasures and Death\u2019. He is led by false appearances.<\/p>\n\n\n\n<p>The fairy\u2019s warning fails to correct him. He chooses \u2018Pleasures\u2019 first. He soon realises how painful those pleasures are! He than opts for \u2018Love\u2019. He understands how grief follows love. Then, he goes for Fame. Again, it proves to be a wrong choice. Then he thinks \u2018Wealth\u2019 will make him happy. He plans to spend, shine, and feed his hungry heart with his mockers envy. He thinks he can buy everything the earth can offer. He is wrong, once again.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>The Five Booms of Life Summary in English<\/strong><strong><\/strong><\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"464\" height=\"184\" src=\"https:\/\/boardscdn.manabadi.co.in\/wp-content\/uploads\/2025\/12\/07114626\/TS-Inter-1st-Year-English-Study-Material-Chapter-12-The-Five-Booms-of-Life-1-1.png\" alt=\"\" class=\"wp-image-2237\"\/><\/figure>\n\n\n\n<p><br>Samuel Langhorne Clemens is popularly known by his pen name Mark Twain. He was an American writer, humonist and lecturer. He is rightly called the father of American literature. His short story \u2018The Five Boons of Life\u2019 is a parable with his characteristic twist at the end.<\/p>\n\n\n\n<p>The theme of the story is the deceiving nature of human life. This is enhanced through the motifs of Fame, Love, Riches, Pleasure and Death. These five metaphorical gifts are actualley five human experiences which are more or less universal. The story conveys the pessimistic message of the writer that there is nothing pure in life. Every good thing one experiences is showed its reverse. According to him, Death is the only eternal truth which becomes a gift when one transcends the fear of death.<\/p>\n\n\n\n<p>In the story a fairy comes to a youth and grants him permission to choose one of her five gifts. Pleasure, Love, Fame, Wealth and Death. The fairy also warns him that only one of these gifts is truly valuable. So, he should choose wisely. First, he chooses pleasure. But soon he comes to realize this gift is transcient and often followed by pain. Afterwords, he chooses love.<\/p>\n\n\n\n<p>But when the fairy returns he is about to bury a loved one and has corne to realize that love also brings grief with it. His third choice is fame. Yet once gain is disappointed. He only gets to enjoy fame for a brief time, before he becomes the target of enjoy and calumny. On having chosen wealth later to deride his detractors, he becomes a pauper Finally, he seeks for death realizing that he has nothing in life to love for. But the fairy has already given her gift of death to a child leaving the man in a miserable state. Thus the man endsup seeing what he thought are great gifts are actually mere lendings.<\/p>\n\n\n\n<p>The fairy offers many warnings to the man about choosing wisely and has the expressions of disapproval when the man chooses incorrectly. But he focuses on himself and not on the advice from the gift giver. Selfishness, desire to get ahead be the best, have the best are still issues facing man even today.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Meanings and Explanations<\/strong><\/h2>\n\n\n\n<p>fairy (n) \/ feari \/ (\u0c2b\u0c46\u0c05\u0c30\u0c3f ) (disyllabic ) = a creature with magic powers: \u0c2e\u0c02\u0c24\u0c4d\u0c30\u0c36\u0c15\u0c4d\u0c24\u0c41\u0c32\u0c41 \u0c15\u0c32 \u0c12\u0c15, \u092a\u0930\u0940<\/p>\n\n\n\n<p>wary (adj) \/we\u0259ri\/ (\u0c35\u0c46\u0c05\u0c30\u0c3f) (disyllabic) = careful; cautious : \u0c1a\u0c3e\u0c32\u0c3e \u0c1c\u0c3e\u0c17\u0c4d\u0c30\u0c24\u0c4d\u0c24\u0c17\u0c3e, \u091a\u094c\u0915\u0938<\/p>\n\n\n\n<p>consider (v) \/k\u01ddns\u0131d\u0259(r)\/ (\u0c15\u0c28\u0c4d \u0c38\u0c40\u0c21(\u0c30\u0c4d)) (trisyllabic) = think about carefully : \u0c1c\u0c3e\u0c17\u0c4d\u0c30\u0c24\u0c4d\u0c24\u0c17\u0c3e \u0c06\u0c32\u0c4b\u0c1a\u0c3f\u0c02\u0c1a\u0c41, \u0935\u093f\u091a\u093e\u0930 \u0915\u0930\u0928\u093e<\/p>\n\n\n\n<p>sought (v-past tense of \u2018seek\u2019) \/so:t\/ (\u0c38\u0c4b\u0c1f\u0c4d) (monosyllabic) = looked for; wanted; \u0c15\u0c4b\u0c30\u0c41\u0c15\u0c4a\u0c28\u0c46\u0c28\u0c41, \u0907\u091a\u094d\u091b\u093e<\/p>\n\n\n\n<p>delight (n) \/d\u0131lart\/ (\u0c21\u0c3f\u0c32\u0c48\u0c1f\u0c4d) (disyllabic) = joy; a feeling of great pleasure: \u0c05\u0c2e\u0c3f\u0c24 \u0c06\u0c28\u0c02\u0c26\u0c2e\u0c41<\/p>\n\n\n\n<p>vain (adj) \/vein\/ (\u0c35\u0c46\u0c07\u0c28\u0c4d) (monosyllabic) useless : \u0c28\u0c3f\u0c30\u0c41\u0c2a\u0c2f\u0c4b\u0c17\u0c2e\u0c48\u0c28 , \u0935\u094d\u092f\u0930\u094d\u0925<\/p>\n\n\n\n<p>mock (v) \/mok\/ (\u0c2e\u0c4a\u0c15\u0c4d) (monosyllabic) = laugh at : \u0c39\u0c47\u0c33\u0c28\u0c1a\u0c47\u0c2f\u0c41, \u0939\u0902\u0938\u0940 \u0909\u0921\u093c\u093e\u0928\u093e, \u0905\u092a\u0939\u093e\u0938 \u0915\u0930\u0928\u093e<\/p>\n\n\n\n<p>precious (adj) \/prefas\/ (\u0c2a\u0c4d\u0c30\u0c46\u0c37\u0c28\u0c4d ) (disyllabic) = rare and worth a lot; valuable : \u0c05\u0c24\u0c4d\u0c2f\u0c02\u0c24 \u0c35\u0c3f\u0c32\u0c41\u0c35\u0c48\u0c28, \u0c05\u0c30\u0c41\u0c26\u0c48\u0c28, \u0909\u092a\u092f\u094b\u0917\u0940, \u092e\u0942\u0932\u094d\u092f\u0935\u093e\u0928<\/p>\n\n\n\n<p>coffin (n) \/kofm\/ (\u0c15\u0c4b\u0c2b\u0c3f\u0c28\u0c4d) (disyllabic) = a box in which a dead body is placed: \u0c36\u0c35\u0c2a\u0c47\u0c1f\u0c3f\u0c15, \u0924\u093e\u092c\u0942\u0924<\/p>\n\n\n\n<p>commune (v) \/kamju:n\/ (\u0c15\u0c4a\u0c2e\u0c4d\u0c2f\u0c42\u0c28\u0c4d) (disyllabic) = converse; talk : \u0c38\u0c02\u0c2d\u0c3e\u0c37\u0c3f\u0c02\u0c1a\u0c41; \u0c2e\u0c3e\u0c1f\u0c4d\u0c32\u0c3e\u0c21\u0c41, \u0938\u092e\u094d\u092d\u093e\u0937\u0923 \u0915\u0930\u0928\u093e<\/p>\n\n\n\n<p>desolation (n) \/des\u0259leisr\u0259n\/ (\u0c21\u0c46\u0c38\u0c32\u0c46\u0c07\u0c37\u0c28\u0c4d) (polysyllabic-4 syllables) = destruction of inhabitants : \u0c2e\u0c30\u0c23\u0c2e\u0c41; \u0c05\u0c02\u0c24\u0c2e\u0c41, \u0915\u0925\u092e<\/p>\n\n\n\n<p>treacherous (adj) \/tretf\u01ddr\u01dds\/ (\u0c1f\u0c4d\u0c30\u0c46\u0c1a\u0c30\u0c38\u0c4d) (trisyllabic) = deceitful: \u0c2e\u0c4b\u0c38\u0c2a\u0c4b\u0c1f\u0c3f\u0c24, \u0935\u093f\u0936\u094d\u0935\u093e\u0938\u0918\u093e\u0924\u0940<\/p>\n\n\n\n<p>curse (v) \/k3:s\/ (\u0c15(\u0c30\u0c4d)\u0c38\u0c4d) (monosyllabic) = to place a bane: \u0c36\u0c2a\u0c3f\u0c02\u0c1a\u0c41, \u0905\u092d\u093f\u0936\u093e\u092a \u0926\u0947\u0928\u093e<\/p>\n\n\n\n<p>reflect (v) \/riflekt\/ (\u0c30\u0c3f\u0c2a\u0c4d\u0c32\u0c46\u0c15\u0c4d \u0c1f\u0c4d) (disyllabic) = think carefully and deeply, \u0c1c\u0c3e\u0c17\u0c4d\u0c30\u0c24\u0c4d\u0c24\u0c17\u0c3e, \u0c32\u0c4b\u0c24\u0c41\u0c17\u0c3e \u0c06\u0c32\u0c4b\u0c1a\u0c3f\u0c02\u0c1a\u0c41 , \u091a\u093f\u0902\u0924\u0928 \u0915\u0930\u0928\u093e<\/p>\n\n\n\n<p>sigh (v) \/sar\/ (monosyllabic) breathe in an audible way to express disappointment : \u0c28\u0c3f\u0c1f\u0c4d\u0c1f\u0c42\u0c30\u0c4d\u0c2a\u0c41 \u0c35\u0c3f\u0c21\u0c41\u0c1a\u0c41, \u0906\u0939<\/p>\n\n\n\n<p>solitary (adj) \/spl\u0259tri\/ (\u0c38\u0c4b\u0c32\u0c3e\u0c1f\u0c4d\u0c30\u0c3f) (trisyllabic) = alone; single :\u0c12\u0c02\u0c1f\u0c30\u0c3f\u0c17\u0c3e, \u0c0f\u0c15\u0c3e\u0c02\u0c24\u0c02\u0c17\u0c3e, \u0905\u0915\u0947\u0932\u093e<\/p>\n\n\n\n<p>fading (v+ing = adj) \/feidin\/(\u0c2b\u0c46\u0c07\u0c21\u0c3f\u0c02\u0c17\u0c4d) (disyllabic) = disappearing slowly; \u0c28\u0c46\u0c2e\u0c4d\u0c2e\u0c26\u0c3f\u0c17\u0c3e \u0c05\u0c02\u0c24\u0c30\u0c3f\u0c02\u0c1a\u0c3f \u0c2a\u0c4b\u0c24\u0c41\u0c28\u0c4d\u0c28; \u0c2e\u0c38\u0c15\u0c2c\u0c3e\u0c30\u0c3f\u0c2a\u0c4b\u0c24\u0c41\u0c28\u0c4d\u0c28; \u0c2a\u0c3e\u0c32\u0c3f\u0c2a\u0c4b\u0c24\u0c41\u0c28\u0c4d\u0c28<\/p>\n\n\n\n<p>envy (n) \/envi\/ (\u0c0e\u0c28\u0c4d\u0c35\u0c3f) (disyllabic) = the feeling of wanting to be in the same situation; jealousy : \u0c05\u0c38\u0c42\u0c2f; \u0c08\u0c30\u0c4d\u0c37\u0c4d\u0c2f, \u0908\u0930\u094d\u0937\u094d\u092f\u093e\u0932<\/p>\n\n\n\n<p>detraction (n) \/d\u0131tr\u00e6kts\u0259n\/ (\u0c21\u0c3f\u0c1f\u0c4d\u0c30\u0c4d\u0c2f\u0c3e\u0c15\u0c4d\u0c37\u0c28\u0c4d ) (trisyllabic) = taking away from: \u0c2a\u0c15\u0c4d\u0c15\u0c26\u0c3e\u0c30\u0c3f \u0c2a\u0c1f\u0c4d\u0c1f\u0c3f\u0c02\u0c1a\u0c21\u0c02; \u0c2e\u0c30\u0c4b\u0c35\u0c48\u0c2a\u0c41 \u0c26\u0c43\u0c37\u0c4d\u0c1f\u0c3f \u0c2e\u0c30\u0c32\u0c4d\u0c1a\u0c21\u0c02<\/p>\n\n\n\n<p>calumny (n) \/k\u00e6l\u0259mni\/ (\u0c15\u0c4d\u0c2f\u0c3e\u0c32\u0c2e\u0c4d\u0c2e\u0c3f) (trisyllabic) = lies that harm one\u2019s reputation: \u0c0e\u0c26\u0c41\u0c1f\u0c3f \u0c35\u0c3e\u0c30\u0c3f \u0c16\u0c4d\u0c2f\u0c3e\u0c24\u0c3f\u0c28\u0c3f \u0c1a\u0c46\u0c21\u0c17\u0c4a\u0c1f\u0c4d\u0c1f\u0c47 \u0c05\u0c2c\u0c26\u0c4d\u0c26\u0c2e\u0c41\u0c32\u0c41, \u0928\u093f\u0928\u094d\u0926\u093e \u0915\u0930\u0928\u093e<\/p>\n\n\n\n<p>persecution (n) \/p:(r)s\u0131kju:s\u0259n\/ (\u0c2a(\u0c30\u0c4d)\u0c38\u0c3f\u0c15\u0c4d\u0c2f\u0c42\u0c37\u0c28\u0c4d) (polysyllabic-4 syllables) someone physically or morally : \u0c2d\u0c4c\u0c24\u0c3f\u0c15\u0c02\u0c17\u0c3e, \u0c32\u0c47\u0c26\u0c3e \u0c28\u0c48\u0c24\u0c3f\u0c15\u0c02\u0c17\u0c3e \u0c05\u0c02\u0c24\u0c02 \u0c1a\u0c47\u0c2f\u0c1f\u0c2e\u0c41<\/p>\n\n\n\n<p>derision (n) \/d\u0131r\u0131z\u0259n\/ (\u0c21\u0c3f\u0c30\u0c3f\u0c1c\u0c28\u0c4d) (trisyllabic) = laughter as a token of insult : \u0c05\u0c35\u0c2e\u0c3e\u0c28\u0c15\u0c30; \u0c39\u0c47\u0c33\u0c28\u0c2d\u0c30\u0c3f\u0c24 \u0c28\u0c35\u0c4d\u0c35\u0c41<\/p>\n\n\n\n<p>funeral (n) \/fju:n\u0259r\u0259l\/ (\u0c2b\u0c4d\u0c2f\u0c41\u0c28\u0c30\u0c32\u0c4d) (trisyllabic) = a ceremony to bury or cremate a dead person : \u0c05\u0c02\u0c24\u0c4d\u0c2f\u0c15\u0c4d\u0c30\u0c3f\u0c2f\u0c32\u0c41, \u0905\u0902\u0924\u094d\u092f\u0947\u0937\u094d\u091f\u093f, \u0936\u0935 \u092f\u093e\u0924\u094d\u0930\u093e<\/p>\n\n\n\n<p>renown (n) \/r\u0131na\u028an\/ (\u0c30\u0c3f\u0c28\u0c4c\u0c28\u0c4d ) (disyllabic) = fame and popularity : \u0c2a\u0c47\u0c30\u0c41 \u0c2a\u0c4d\u0c30\u0c16\u0c4d\u0c2f\u0c3e\u0c24\u0c32\u0c41, \u092f\u0936<\/p>\n\n\n\n<p>contempt (n) \/k\u01ddntempt\/ (\u0c15\u0c28\u0c4d \u0c1f\u0c46\u0c2e\u0c4d \u0c1f\u0c4d) (disyllabic) = hatred, \u0c26\u0c4d\u0c35\u0c47\u0c37\u0c2e\u0c41, \u0905\u092a\u092e\u093e\u0928<\/p>\n\n\n\n<p>compassion (n) \/k\u0259mp\u00e6s\u0259n\/ (\u0c15\u0c2e\u0c4d \u0c2b\u0c4d\u0c2f\u0c3e\u0c37\u0c28\u0c4d) (trisyllabic) = kindness and pity for the suffering: \u0c26\u0c2f; \u0c38\u0c3e\u0c28\u0c41\u0c2d\u0c42\u0c24\u0c3f, \u0938\u0939\u093e\u0928\u0941\u092d\u0942\u0924\u093f<\/p>\n\n\n\n<p>decay (n) \/d\u0131ker\/ (\u0c21\u0c3f\u0c15\u0c46\u0c07) (disyllabic) = destruction : \u0c28\u0c3e\u0c36\u0c28\u0c02; \u0c05\u0c02\u0c24\u0c30\u0c3f\u0c02\u0c1a\u0c21\u0c2e\u0c41, \u0939\u093e\u0938 \u0939\u094b\u0928\u093e<\/p>\n\n\n\n<p>despair (v) \/dispe\u0254(r)\/ (\u0c21\u0c3f\u0c38\u0c4d\u0c2a\u0c46\u0c05(\u0c30\u0c4d)) (disyllabic) = give up; to be hopeless : \u0c1a\u0c47\u0c24\u0c41\u0c32\u0c46\u0c24\u0c4d\u0c24\u0c3f\u0c35\u0c47\u0c2f\u0c41\u0c1f \u0c2a\u0c4d\u0c30\u0c2f\u0c24\u0c4d\u0c28\u0c02 \u0c06\u0c2a\u0c41\u0c1f; \u0c28\u0c3f\u0c30\u0c3e\u0c36\u0c32\u0c4b \u0c2e\u0c41\u0c28\u0c3f\u0c17\u0c3f\u0c2a\u0c4b\u0c35\u0c41\u0c1f<\/p>\n\n\n\n<p>squander (v) \/skwond\u0259(r)\/ (\u0c38\u0c4d\u0c15\u0c4d\u0c35\u0c28\u0c4d \u0c21(\u0c30\u0c4d) (disyllabic) = spend carelessly: \u0c35\u0c3f\u0c1a\u0c4d\u0c1a\u0c32\u0c35\u0c3f\u0c21\u0c3f\u0c17\u0c3e \u0c16\u0c30\u0c4d\u0c1a\u0c41\u0c2a\u0c46\u0c1f\u0c4d\u0c1f\u0c41, \u0905\u092a\u0935\u094d\u092f\u093e\u092f \u0915\u0930\u0928\u093e<\/p>\n\n\n\n<p>dazzle (v) \/d\u00e6zl\/ (\u0c21\u0c4d\u0c2f\u0c3e\u0c1c\u0c4d \u0c32\u0c4d) (disyllabic) = shine brightly in an impressive way: \u0c06\u0c15\u0c1f\u0c4d\u0c1f\u0c41\u0c15\u0c41\u0c28\u0c47\u0c32\u0c3e, \u092f\u0915\u093e\u0930\u094d\u092f\u093e\u0927 \u0915\u0930\u0928\u093e<\/p>\n\n\n\n<p>despiser (n) \/d\u0131spa\u0131z\u0259(r)\/ (\u0c21\u0c3f\u0c38\u0c4d\u0c2a\u0c46\u0c1c(\u0c30\u0c4d) ) (trisyllabic) = one who criticizes and hates : \u0c35\u0c3f\u0c2e\u0c30\u0c4d\u0c36\u0c3f\u0c02\u0c1a\u0c3f, \u0c26\u0c4d\u0c35\u0c47\u0c37\u0c3f\u0c02\u0c1a\u0c47 \u0c35\u0c4d\u0c2f\u0c15\u0c4d\u0c24\u0c3f<\/p>\n\n\n\n<p>enchantment (n) \/intsa:ntm\u01ddnt\/ (\u0c07\u0c28\u0c4d \u0c1a\u0c3e\u0c28\u0c4d \u0c1f\u0c4d \u0c2e\u0c28\u0c4d \u0c1f\u0c4d) (trisyllabic) = attraction; charm: \u0c06\u0c15\u0c30\u0c4d\u0c37\u0c23, \u0c05\u0c02\u0c26\u0c2e\u0c41, \u0906\u0915\u0930\u094d\u0937\u0923<\/p>\n\n\n\n<p>contentment (n) \/k\u01ddntentm\u01ddnt\/ (\u0c15\u0c28\u0c4d \u0c1f\u0c46\u0c2e\u0c4d \u0c2e\u0c28\u0c4d \u0c1f\u0c4d) (trisyllabic) = satisfaction: \u0c38\u0c02\u0c24\u0c43\u0c2a\u0c4d\u0c24\u0c3f , \u0924\u0943\u092a\u094d\u0924\u093f<\/p>\n\n\n\n<p>deference (n) \/def\u01ddr\u01ddns\/ (\u0c21\u0c46\u0c2b\u0c30\u0c28\u0c4d \u0c38\u0c4d ) (trisyllabic) = respecting others\u2019 views : \u0c07\u0c24\u0c30\u0c41\u0c32 \u0c05\u0c2d\u0c3f\u0c2a\u0c4d\u0c30\u0c3e\u0c2f\u0c3e\u0c32\u0c28\u0c41 \u0c17\u0c4c\u0c30\u0c35\u0c3f\u0c02\u0c1a\u0c1f\u0c02<\/p>\n\n\n\n<p>pinchbeck (adj) \/pintsbek\/ (\u0c2a\u0c3f\u0c02\u0c1a\u0c4d \u0c2c\u0c46\u0c15\u0c4d) (disyllabic) = spurious; artificial: \u0c28\u0c3f\u0c1c\u0c02\u0c15\u0c3e\u0c28\u0c3f; \u0c15\u0c43\u0c24\u0c4d\u0c30\u0c3f\u0c2e<\/p>\n\n\n\n<p>trivial (adj) \/trivial\/ (\u0c1f\u0c4d\u0c30\u0c3f\u0c35\u0c3f \u0c05\u0c32\u0c4d ) (trisyllabic) = ordinary; ignorable : \u0c05\u0c24\u0c3f \u0c38\u0c3e\u0c27\u0c3e\u0c30\u0c23\u0c2e\u0c48\u0c28 ; \u0c2a\u0c1f\u0c4d\u0c1f\u0c3f\u0c02\u0c1a\u0c41\u0c15\u0c4b\u0c28\u0c35\u0c38\u0c30\u0c02 \u0c32\u0c47\u0c28\u0c3f<\/p>\n\n\n\n<p>furnish (v) \/f3:(r)n\u0131s\/ (\u0c2b(\u0c30\u0c4d)\u0c28\u0c3f\u0c37\u0c4d) (disyllabic) = supply; give: \u0c05\u0c02\u0c26\u0c3f\u0c02\u0c1a\u0c41<\/p>\n\n\n\n<p>garret (n) \/g\u00e6r\u01ddt\/ (\u0c17\u0c4d\u0c2f\u0c3e\u0c30\u0c1f\u0c4d) (disyllabic) = a dark, dirty and narrow room : \u0c07\u0c30\u0c41\u0c15\u0c41\u0c17\u0c3e, \u0c2e\u0c41\u0c30\u0c3f\u0c15\u0c3f\u0c17\u0c3e, \u0c1a\u0c40\u0c15\u0c1f\u0c3f\u0c17\u0c3e \u0c09\u0c28\u0c4d\u0c28 \u0c17\u0c26\u0c3f<\/p>\n\n\n\n<p>gaunt (adj) \/g\u0254:nt\/ (\u0c17\u0c4b\u0c28\u0c4d \u0c1f\u0c4d) (monosyllabic) = very weak; old : \u0c1a\u0c3e\u0c32\u0c3e \u0c28\u0c40\u0c30\u0c38\u0c02\u0c17\u0c3e \u0c09\u0c28\u0c4d\u0c28; \u0c2e\u0c41\u0c38\u0c32\u0c3f<\/p>\n\n\n\n<p>wan (adj) \/won\/ (\u0c35\u0c4b\u0c28\u0c4d) (monosyllabic) = very tired; pale : \u0c2c\u0c3e\u0c17\u0c3e \u0c05\u0c32\u0c3f\u0c38\u0c3f\u0c2a\u0c4b\u0c2f\u0c3f\u0c28; \u0c2a\u0c3e\u0c32\u0c3f\u0c2a\u0c4b\u0c2f\u0c3f\u0c28<\/p>\n\n\n\n<p>hollow-eyed (adj) \/with eyes sunk : \u0c2c\u0c3e\u0c17\u0c3e \u0c2a\u0c40\u0c15\u0c4d\u0c15\u0c41\u0c2a\u0c4b\u0c2f\u0c3f\u0c28 \u0c15\u0c28\u0c4d\u0c28\u0c41\u0c32\u0c24\u0c4b \u0c09\u0c28\u0c4d\u0c28<\/p>\n\n\n\n<p>gnaw (v) \/n\u0254:\/ (\u0c35\u0c4b) (monosyllabic) = bite : \u0c15\u0c4a\u0c30\u0c41\u0c15\u0c41\u0c1f<\/p>\n\n\n\n<p>crust (n) \/krast\/ (\u0c15\u0c4d\u0c30\u0c38\u0c4d\u0c1f\u0c4d ) (monosyllabic) = harder part of bread: \u0c2c\u0c3e\u0c17\u0c3e \u0c17\u0c1f\u0c4d\u0c1f\u0c3f\u0c17\u0c3e \u0c09\u0c28\u0c4d\u0c28 \u0c2c\u0c4d\u0c30\u0c46\u0c21\u0c4d \u0c2d\u0c3e\u0c17\u0c2e\u0c41<\/p>\n\n\n\n<p>mumble (v) \/m\u0245mb\u01ddl\/ (\u0c2e\u0c2e\u0c4d \u0c2c\u0c32\u0c4d) (disyllabic) = chew gently with lips closed: \u0c2a\u0c46\u0c26\u0c35\u0c41\u0c32\u0c41 \u0c2e\u0c42\u0c38\u0c41\u0c15\u0c4a\u0c28\u0c3f \u0c28\u0c46\u0c2e\u0c4d\u0c2e\u0c26\u0c3f\u0c17\u0c3e \u0c28\u0c2e\u0c41\u0c32\u0c41<\/p>\n\n\n\n<p>gilded (adj) \/g\u0131ld\u0131d\/ (\u0c17\u0c3f\u0c32\u0c4d\u0c21\u0c21\u0c4d) (disyllabic) = false : \u0c28\u0c3f\u0c1c\u0c2e\u0c41\u0c15\u0c3e\u0c28\u0c3f; \u0c2a\u0c48 \u0c2a\u0c42\u0c24 \u0c2a\u0c42\u0c38\u0c3f\u0c28<\/p>\n\n\n\n<p>wanton (adj) \/wnt\u0259n\/ (\u0c35\u0c4b\u0c28\u0c4d \u0c1f\u0c28\u0c4d) (disyllabic) = unruly : \u0c05\u0c26\u0c41\u0c2a\u0c41 \u0c1a\u0c47\u0c2f \u0c35\u0c40\u0c32\u0c41\u0c15\u0c3e\u0c28\u0c3f<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paragraph Answer Questions (Section \u2013 A, Q.No. 5, Marks: 4) Question 1. The young man feels that the five boons are not gifts, but merely lendings. Justify his opinion with reference to his experiences? Answer: Mark Twain is the pen name of Samuel Langhorne Clemens. The world celebrates him as an eminent humourist and a [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":2241,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[312,15],"tags":[],"class_list":{"0":"post-2236","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-inter-telangana","8":"category-telangana"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>TS Inter 1st Year English Study Material Chapter 12 The Five Booms of Life<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.manabadi.co.in\/boards\/tg-inter-1st-year-english-study-material-cp-12\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TS Inter 1st Year English Study Material Chapter 12 The Five Booms of Life\" \/>\n<meta property=\"og:description\" content=\"Paragraph Answer Questions (Section \u2013 A, Q.No. 5, Marks: 4) Question 1. The young man feels that the five boons are not gifts, but merely lendings. Justify his opinion with reference to his experiences? Answer: Mark Twain is the pen name of Samuel Langhorne Clemens. The world celebrates him as an eminent humourist and a [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.manabadi.co.in\/boards\/tg-inter-1st-year-english-study-material-cp-12\/\" \/>\n<meta property=\"og:site_name\" content=\"Manabadi Boards\" \/>\n<meta property=\"article:published_time\" content=\"2025-12-24T10:01:05+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-24T10:01:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/boardscdn.manabadi.co.in\/wp-content\/uploads\/2025\/12\/07114626\/tg-inter-1st-year-english-study-material-cp-12.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"450\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Sandhya\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" 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